Percy, Walker. The Moviegoer. New York: Alfred A. Knopf, 2001.
I felt like I was doing this book a disservice by reading it. I was bored half the time and I really couldn’t tell you why. I guess I didn’t fall in love with the main character as quickly or as easily as I wanted to. What is there to say? Binx “Jack” Bolling is a 29 year old stock broker who dates his secretaries. He’s good at what he does so he earns everyone (including himself) a lot of money. He appears to be a shallow man who spends most of his free time going to the movies. The majority of the story takes place in New Orleans which was fun. I have always been fascinating by that area of the south.
For the most part The Moviegoer was a social commentary on a man who prefers to watch life from the sidelines. He doesn’t spend a great deal of effort actually getting out there and making things happen. He has no clue who he is. Probably the most telling moment of the story is when Binx is being questioned: “‘What do you love? What do you live by?’ [he is asked.] I am silent’” is his reply (p 226). He can’t even answer the question of what he holds sacred, of what makes him live.
Best funny lines, “Oh the crap that lies lurking in the English soul” (p 26). Anytime someone uses the word “lurking” in a sentence I’m a fan. “Whenever I feel bad, I go to the library and read controversial periodicals” (p 100). The librarian in me loves the fact he goes to the library and he used the word periodical!
BookLust Twist: From Book Lust and mentioned three times: first, in the chapter called “Companion Reads” (p 65). I was supposed to read The Moviegoer with The Spectator Bird by Wallace Stegner (which I already read), The Remains of the Day by Kazuo Ishiguro, and A Gesture Life by Chang-rae Lee. All four books represent being more of a spectator to life than a participant. The second time The Moviegoer is mentioned in Book Lust is in the chapter “New Orleans” (p 168), the reason why I read the book in August. The last place The Moviegoer is mentioned is in the chapter “Southern Fiction” (p 223).
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